Early Music History - Current Issue

Volume 26

Sun, 30 Sep 2007 23:00:00 GMT

Early Music History, Volume 26

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.

‘SOUSPIRANT EN TERRE ESTRAINGE’: THE POLYPHONIC RONDEAU FROM ADAM DE LA HALLE TO GUILLAUME DE MACHAUT

Research Articles
Mark Everist,
Early Music History, Volume 26 , pp 1-42

Abstract

A RIDDLE AND A SONG: PLAYING WITH SIGNS IN A FOURTEENTH-CENTURY BALLADE

Research Articles
Peter M. Lefferts,
Early Music History, Volume 26 , pp 121-180

Abstract

‘SI QUIS MANUS NON HABEAT’: CHARTING NON-HEXACHORDAL MUSICAL PRACTICES IN THE AGE OF SOLMISATION

Research Articles
Stefano Mengozzi,
Early Music History, Volume 26 , pp 181-218

Abstract

HERCULES DANCING IN THEBES, IN PICTURES AND MUSIC

Research Articles
Barbara Sparti,
Early Music History, Volume 26 , pp 219-270

Abstract

Carol K. Baron (ed.), Bach’s Changing World: Voices in the Community. Rochester: University of Rochester Press, 2006. xvi+264 pp. Gregory G. Butler (ed.), J. S. Bach’s Concerted Ensemble Music: The Ouverture. Bach Perspectives, 6. Urbana and Chicago: University of Illinois Press, 2007. xi+164 pp.

Book Reviews
John Butt,
Early Music History, Volume 26 , pp 271-282

Abstract

‘HOW HARD AN ENTERPRISE IT IS’: AUTHORIAL SELF-FASHIONING IN JOHN DOWLAND’S PRINTED BOOKS

Research Articles
Kirsten Gibson,
Early Music History, Volume 26 , pp 43-90

Abstract

OLD-ROMAN CHANT AND THE RESPONSORIES OF NOAH: NEW EVIDENCE FROM SUTRI

Research Articles
Thomas Forrest Kelly,
Early Music History, Volume 26 , pp 91-120

Abstract